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2017

  • “Cultivating kinaesthetic awareness through interaction,” Proceedings of the 4th International Symposium on Movement and Computing (MOCO '17) , London, UK, ACM, , pp. 35--40. DOI: 10.1145/3077981.3078042.
  • “Bayesian Temporal Models for Musical Interaction,” The Routledge Companion to Embodied Music Interaction , Lesaffre, Micheline and Leman, Marc and Maes, Pieter-Jan, Ed : Routledge (Taylor & Francis). . URL: https://www.routledge.com/The-Routledge-Companion-to-Embodied-Music-Interaction/Lesaffre-Maes-Leman/p/book/9781138657403.
  • “Designing Action-Sound Metaphors using Motion Sensing and Descriptor-based Synthesis of Recorded Sound Materials,” The Routledge Companion to Embodied Music Interaction , Lesaffre, Micheline and Leman, Marc and Maes, Pieter-Jan, Ed : Routledge (Taylor & Francis). . URL: https://www.routledge.com/The-Routledge-Companion-to-Embodied-Music-Interaction/Lesaffre-Maes-Leman/p/book/9781138657403.
  • “Designing for Kinesthetic Awareness: Revealing User Experiences Through Second-Person Inquiry,” Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems (CHI '17) , Denver, CO, USA, ACM, , pp. 5171--5183. DOI: 10.1145/3025453.3025714.
  • “Seeing, Sensing and Recognizing Laban Movement Qualities,” Proceedings of the ACM Conference on Human Factors in Computing Systems (CHI'17) , Denver, CO, USA, ACM, . DOI: 10.1145/3025453.3025530.

2016

  • “Sensori-motor Learning With Movement Sonification: A Perspective From Recent Interdisciplinary Studies,” Frontiers in Neuroscience, vol. 10, , pp. 385. DOI: 10.3389/fnins.2016.00385.
  • “Perspectives on Real-time Computation of Movement Coarticulation,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, Greece, ACM, , pp. 35--40. DOI: 10.1145/2948910.2948956.
  • “GaussBox: Prototyping Movement Interaction with Interactive Visualizations of Machine Learning,” Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems (CHI EA '16) , San Jose, CA, ACM, , pp. 3667--3670. DOI: 10.1145/2851581.2890257.
  • “SoundGuides: Adapting Continuous Auditory Feedback to Users,” Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems (CHI EA '16) , San Jose, CA, ACM, , pp. 2829--2836. DOI: 10.1145/2851581.2892420.
  • “Supporting User Interaction with Machine Learning through Interactive Visualizations,” CHI'16 Workshop on Human-Centred Machine Learning , San Jose, CA, . URL: http://www.doc.gold.ac.uk/~mas02mg/HCML2016/HCML2016_paper_20.pdf.

2015

  • “Combining gestures and vocalizations to imitate sounds,” The Journal of the Acoustical Society of America, vol. 138, no. 3, , pp. 1780--1780. DOI: 10.1121/1.4933639.
  • “Movement sequence analysis using hidden Markov models,” Proceedings of the 2nd International Workshop on Movement and Computing (MOCO'15) , Vancouver, BC, Canada, ACM Press, , pp. 29--36. DOI: 10.1145/2790994.2791006.
  • “Motion-Sound Mapping by Demonstration,” PhD Dissertation, Université Pierre et Marie Curie. . URL: https://www.julesfrancoise.com/phdthesis.
  • “MaD,” interactions, vol. 22, no. 3, , pp. 14--15. DOI: 10.1145/2754894.
  • “Demo hour,” interactions, vol. 22, no. 2, , pp. 6--9. DOI: 10.1145/2730891.

2014

  • “Vocalizing Dance Movement for Interactive Sonification of Laban Effort Factors,” Proceedings of the 2014 Conference on Designing Interactive Systems (DIS '14) , Vancouver, Canada, ACM, , pp. 1079--1082. DOI: 10.1145/2598510.2598582.
  • “Probabilistic Models for Designing Motion and Sound Relationships,” Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME'14) , London, UK, . .
  • “Mapping Through Listening,” Computer Music Journal, vol. 38, no. 3, , pp. 34--48. DOI: 10.1162/COMJ_a_00255.
  • “MaD: Mapping by Demonstration for Continuous Sonification,” ACM SIGGRAPH 2014 Emerging Technologies (SIGGRAPH '14) , Vancouver, BC, Canada, ACM, , pp. 16:1----16:1. DOI: 10.1145/2614066.2614099.

2013

  • “De-MO : Designing Action-Sound Relationships with the MO Interfaces,” CHI '13 Extended Abstracts on Human Factors in Computing Systems , Paris, France, . URL: http://dl.acm.org/authorize?6812701.
  • “Gesture--Sound Mapping by Demonstration in Interactive Music Systems,” Proceedings of the 21st ACM international conference on Multimedia (MM'13) , Barcelona, Spain, , pp. 1051----1054. DOI: 10.1145/2502081.2502214.
  • “Perspectives pour l'apprentissage interactif du couplage geste-son,” Actes des Journées d'Informatique Musicale (JIM 2013) , Paris, France, . .
  • “Gesture-based control of physical modeling sound synthesis,” Proceedings of the 21st ACM international conference on Multimedia (MM'13) , Barcelona, Spain, ACM Press, , pp. 447--448. DOI: 10.1145/2502081.2502262.
  • “A Multimodal Probabilistic Model for Gesture--based Control of Sound Synthesis,” Proceedings of the 21st ACM international conference on Multimedia (MM'13) , Barcelona, Spain, , pp. 705--708. DOI: 10.1145/2502081.2502184.

2012

  • “A Hierarchical Approach for the Design of Gesture--to--Sound Mappings,” Proceedings of the 9th Sound and Music Computing Conference , Copenhagen, Denmark, , pp. 233--240. .

2011